Contact Artist

Born 1960, Surrey, England.

1979-1983 NORWICH SCHOOL OF ART. (2.1 BA. (Hons) Fine Art.

One year exchange student, Nimes, France.

1983-89 various public & private venues in Norwich and Norfolk Galleries.

The Lavenham and Boxford galleries, Suffolk and numerous private commissions.

1989-1995 Young Unknowns, Metro Gallery, Portobello, Westminster Galleries.

Great Expectations, Camberwell and various café and restaurants

1995- 2003 Tricycle Theatre, Kilburn.

Northcote Gallery, Battersea.

Gagliardi Gallery, Kings Rd.

Webb’s Gallery, Battersea.

Inspirations Gallery, Greenwich/Petts Wood.

2002 St.George's Hospital (Art and Healing)

2003-8 Nominated to exhibit at the “Biennale di Firenze”

2003-2005 Quantum Contemporary Gallery. London, Bristol and New York Art Fairs.

2006-2007 Art Contact, Cambridgeshire

Gallery on the Hill, Warlingham, Surrey.

Cat Hill Gallery, Merton.London

2003-2008 Gallery Kaleidoscope, Willesden Lane, London.

2008 Russell Gallery, Putney.

And many online galleries.

After art school she moved to Suffolk , developing her painting skills in landscape painting.

In 1989 she moved to London and began deconstructing figurative painting into abstraction and colour minimalism, surrealism, always seeking new ways to develop her painting.

After many years She now concentrates on her living systems art within wide open clear spaces.

The open space art ( white-primed-canvas ) clears away the context and opens up the space allowing for a more singular yet essentail approach: restrained yet dynamic.

,from all the David Attenborough absorbed in childhood and constant visits to the local natural history museum full of stuffed animals and a fascination with the nature of matter and perceptions of reality, eventually led to clearing away the context to set up a new narrative, a new approach to the subject matter and the viewers involvement.

Without an environment, their space becomes our space, full of quantum

Possibilities

They become close up and personal causing an intimacy between subject and viewer to engage.

A moment of shared commonality and shared diversity.

They are academic in style with a sense of art deco, and English traditional painting: a minimal ascetic expressionism for both grown-ups and children.

Modern Iconoclastic, aesthetic and eclectic.

The work has possibilities of development into areas of visual projections, either stationary or mobile, with images merging and separating within a circular room.

The quantum factors would serve well in this format.

Conversational pieces with humour, warmth and perception.

Hope your visit has been

Enjoyable

comments are always welcomed.

Maxine.


				*Maxine R. Cameron Contemporary Art Galleries* *Contact & Artist Information*



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		Born 1960, Surrey, England. 1979-1983 NORWICH SCHOOL OF ART. (2.1 BA. (Hons) Fine Art. One year exchange student, Nimes, France. 1983-89 various public & private venues in Norwich and Norfolk Galleries. The Lavenham and Boxford galleries, Suffolk and numerous private commissions. 1989-1995 Young Unknowns, Metro Gallery, Portobello, Westminster Galleries. Great Expectations, Camberwell and various café and restaurants 1995- 2003 Tricycle Theatre, Kilburn. Northcote Gallery, Battersea. Gagliardi Gallery, Kings Rd. Webb’s Gallery, Battersea. Inspirations Gallery, Greenwich/Petts Wood. 2002 St.George's Hospital (Art and Healing) 2003-8 Nominated to exhibit at the “Biennale di Firenze” 2003-2005 Quantum Contemporary Gallery. London, Bristol and New York Art Fairs. 2006-2007 Art Contact, Cambridgeshire Gallery on the Hill, Warlingham, Surrey. Cat Hill Gallery, Merton.London 2003-2008 Gallery Kaleidoscope, Willesden Lane, London. 2008 Russell Gallery, Putney. And many online galleries. After art school she moved to Suffolk , developing her painting skills in landscape painting. In 1989 she moved to London and began deconstructing figurative painting into abstraction and colour minimalism, surrealism, always seeking new ways to develop her painting. After many years She now concentrates on her living systems art within wide open clear spaces. The open space art ( white-primed-canvas ) clears away the context and opens up the space allowing for a more singular yet essentail approach: restrained yet dynamic. ,from all the David Attenborough absorbed in childhood and constant visits to the local natural history museum full of stuffed animals and a fascination with the nature of matter and perceptions of reality, eventually led to clearing away the context to set up a new narrative, a new approach to the subject matter and the viewers involvement. Without an environment, their space becomes our space, full of quantum Possibilities They become close up and personal causing an intimacy between subject and viewer to engage. A moment of shared commonality and shared diversity. They are academic in style with a sense of art deco, and English traditional painting: a minimal ascetic expressionism for both grown-ups and children. Modern Iconoclastic, aesthetic and eclectic. The work has possibilities of development into areas of visual projections, either stationary or mobile, with images merging and separating within a circular room. The quantum factors would serve well in this format. Conversational pieces with humour, warmth and perception. Hope your visit has been Enjoyable comments are always welcomed. Maxine.